| Home | About | Contact | Site Map | Links | Library |
Unique Home Furniture, Home Decorating and Home Decoration Store
Small Blue -purple:
The modern discovery of purple colors from coal tar makes an important epoch in the history of the dye. Painters in oil and water colors produce various shades of purple by mixing certain red and blue pigments. For work in oil, French ultramarine, often called French blue, is mixed with vermilion or some madder red (madder carmine is best), or one of these reds with cobalt blue if a pale purple is wanted. For permanent purples in water colors the same blues are used; but one of the madder reds, not vermilion, should be mixed with them.A much richer purple than any of the above mixtures will give is produced by Prussian blue and one of the lakes from cochineal—namely, carmine or crimson lake—but it is not permanent. This purple, as well as that obtained by mixing Indian red with indigo, also fugitive, was much used by water-color painters in past years. Purple madder is the only simple purple pigment available for the artist which is durable, and it is unfortunately costly. All purples are changed to neutral and gray tints by the addition of any yellow pigment.
In spring the foamflowers bloom in that shade; ground ivy (Gle-coma hederacea) bears small blue -purple blue-purple flowers and violets (Viola spp.) of every color from deepest purple to lightest blue, yellow, and the garden's southern edge, with a 30-foot spread and branches starting 10 feet up the trunk, giving light shade; the medium shade resulting from Japanese maples growing within the spread of the pine; and the full shade found beneath a weeping birch that in turn stands beneath a white ash with a 16-foot diameter.
.
